Lynn Parkerson, Founding Artistic Director, began her career as a choreographer while living in Germany. German critic Joachim Ernst-Berendt wrote of Ms. Parkerson, “She makes music with her body like a musician on his instrument, and when she moves we feel it, that’s the way free music should be danced.” Jack Anderson of The New York Times wrote, “Ms. Parkerson successfully made her dancers seem witness to a miracle...one knew she was talking to God and the world.” Jennifer Dunning of The New York Times has called her solo dance, “an innately spiritual embodiment of grace.”

In recognition of her exceptional leadership contributions to Brooklyn’s cultural community, Ms. Parkerson received the Betty Smith Arts Award as part of the Women's “Herstory” Induction Ceremony and Reception on March 22, 2007. Each year, the awards, named after some of the most outstanding women in Brooklyn "herstory," are given to six outstanding Brooklyn women. In November '06 she received the Paul Robeson Award for Artistic Excellence and Community Service.

Lynn Parkerson’s choreography has been presented at many prominent international events and venues, including the Munich Theater Festival, Frankfurt’s Theatre am Turm, the Florence International Festival of Dance, Moers New Jazz Festival, Jazz Festival Baden-Baden and An Appalachian Summer Arts Festival in Boone, NC, among others. In New York City, she presented annual dance programs—notably the popular ballet series To the Pointe—as Director of Dance at Holy Trinity from 1991-2001. Her work has been supported by grants from the Harkness Foundation for Dance, Joyce Mertz-Gilmore Foundation and Con Edison. She also served as the Assistant Director of the 92nd Street Y Harkness Dance Center from 1996-1999. Ms. Parkerson has taught dance to children and adults in New York and abroad.

Tristan Grannum is originally from Brooklyn, New York. He began training in classical ballet at the age of 14 at Fiorello H. Laguardia High School for Performing Arts and Manhattan Youth Ballet. Over the years he has trained year-round at the School of Pennsylvania Ballet, and Dance Theater of Harlem where he was selected to dance in several outreach performances. He has also attended many notable ballet summer programs on full scholarship which include the Harid Conservatory, San Francisco Ballet, Joffrey Ballet of Chicago, and Charlotte Ballet.

In June 2017 he was invited to and participated in an international dance competition (Royal Dance Grand Prix) held in Beijing, China, under the direction of Nadege Hottier (Premiere Division). There he won first place in the Contemporary ballet category. His professional performance credits include dancing with Brooklyn Ballet, Ballet Austin, Dayton Ballet, and the Black Iris Project. He has performed works by George Balanchine, Gerald Arpino, Septime Webre, Stephen Mills, Marianna Oliviera, and Tan Dao. Tristan has taught at several ballet/dance institutions across the country.

He is a certified dance teacher through the Mark Morris Teacher Artist Training Program and the American Ballet Theater National Training Curriculum (Primary-Level 3) . He is on faculty at Brooklyn Ballet and Mark Morris Dance Group. In 2021, Tristan was chosen as an emerging dance leader for the Dance/USA DILT program under Peter Boal’s mentorship (PNB). He also was chosen as a School of American Ballet National Visiting Fellow for the 2021-2022 Cohort. Formerly, Tristan was the Associate Artistic Director for the Brooklyn Center for the Arts, an arts organization which specializes in providing access to classical art forms for underprivileged individuals across New York City. There Tristan established over 15 dance programs throughout the Department of Education. Currently Tristan Grannum is Director Of Community Engagement and Rehearsal Director for Brooklyn Ballet.